Last Winter We Parted

Instantly reminiscent of the work of Osamu Dazai and Patricia Highsmith, Fuminori Nakamura's latest novel is a dark and twisting house of mirrors that philosophically explores the violence of aesthetics and the horrors of identity.

A young writer arrives at a prison to interview a convict. The writer has been commissioned to write a full account of the case, from its bizarre and grisly details to the nature of the man behind the crime. The suspect, a world-renowned photographer named Kiharazaka, has a deeply unsettling portfolio--lurking beneath the surface of each photograph is an acutely obsessive fascination with his subject.

He stands accused of murdering two women--both burned alive--and will likely face the death penalty. But something isn't quite right, and as the young writer probes further, his doubts about this man as a killer intensify. He soon discovers the desperate, twisted nature of all who are connected to the case, struggling to...